Playroom

Posters made for no reason at all. Music, machines and type I wanted to play with.

Ropes of light, tangled on purpose. I kept knotting lines until the chaos settled into something calm.

Bangla letterforms, three ways. One won at Typoday 2021, one became a manifesto for WePresent, and Khela is just me playing with the script.

Big eyes, pastel frills and a girl who dances it off. Drawn for the days that feel a little numb.

Little books and zines I made for myself, with no brief and no client in the room. The editorial side of me, off duty.

Album covers and vinyl sleeves I wish existed. A love letter to Simon & Garfunkel in pattern and colour.

Tiny worlds sealed inside bubbles, collaged from odd objects and textures that don't quite belong together.

Soft 3D still lifes for the Bangalore bois: a cycle, a kettle, a plant, and a pink creature keeping watch.

A pastel town of squishy little 3D characters, small enough to sit on the end of a pencil.

My run at 36 Days of Type: a letter a day, rendered in glossy pink 3D.

Where it all began. My first series of women, drawn in bold colour with a lot of hair and a lot of mood.

Warm portraits in orange and pink, made slowly, one cup at a time.

Quiet figures in blue, red and ochre. Less about faces, more about how a moment feels.

Ordinary scenes bent slightly out of shape: patterned rooms, wandering eyes and colour that refuses to behave.

Nani ghar means grandmother's home. Pomegranates, flowers and little keepsakes, rebuilt in soft 3D.

A cat for every mood: sleepy, sulky, festive and floating. Mostly an excuse to draw cats.